In a moment of heightened global conversation around women’s rights and dominion over their bodies, Labour of Love explores Palestinian embroidery through the lenses of gender, labour, symbol, commodity and class. Structured around these thematic poles, the exhibition traces Palestinian embroidery’s shift from an historic, individual practice, associated with self-expression, to a cultural artefact and marker of national heritage. The exhibition examines the politicisation of Palestinian embroidery, its circulation as image in paintings and posters, the implications of its commodification, and the nature of its production by NGOs today.